So Dallas was cool. Didn't actually see much of it (working, you know?) but what I did see was nice. The hotel was SWEET and the food was great.
As for the shoot, the producer managed to get together a budget to fly me down there and put us up in a nice place, but other than that, the production's hands were sort of tied. So we had to make do with only what we could bring with us (which wasn't much) - no rentals or anything. As for lighting, all we could manage was a softbox setup (daylight and tungsten) and a small fresnel. And you know what? It turned out pretty darn well. I've always said you can make great images with very little more than skill and Dallas really drove that home. Sure, we fought a little with the finicky sun and didn't have much to work with location-wise, but I think I was able to get some really nice lighting and composition for our interviews. I should really start taking pictures on-set.
Also, the PAs in Texas are awesome. There are great ones in New York, but there are also a ton of people who are just "trying to work in film." It seems like in Texas - and other non-NY locales - that the PAs are not trying to do anything. They're working and that's that. This is what they do and they know their stuff. The first day, we had Ben - young guy with a lot of camera and grip experience. The second day, we had Tom - a real veteran. He's done it all, from being a stand in for Chuck Norris on two seasons of Walker: Texas Ranger, to producing an indie feature and even a string of large-scale live events. What a guy! Nice, totally knowledgeable, and constantly one step ahead of the game. On top of all that, after we wrapped, he found us a great Texas BBQ joint. Wow.
