Good News!

Today's post comes as a bit of a surprise to many, including Dave Dodds of a number of years ago, when I began my freelance career in the film business.  I've discovered a deep appreciation for an unexpected part of the film and video world... News.  In June 2013, I joined the roster of cameramen at News 12 Long Island.  I think many in the filmmaking community devalue news for it's incredible pace and varying standards, and I'll admit, I've seen some sh**ty news shooting.  But done right, it's really worth taking the time to admire.

First off, there's no B.S. in news - there's no time for it.  Most days, your job is to get important content quickly so it can go out the same day.  No time for pre-production or location scouting before, or assembly cuts and copious amounts of post time afterwards.  Story happened today, so it goes out today.  Go into a place blind (unless you've been there before on another story) and make a decision quick about where you want to shoot.  Usually there isn't time to bring in your lights, so use what's there.  Quick!  Find your background.  Quicker!!  Now you're done, so hurry back to the studio to cut (or do it on your laptop in the field).  The 5pm show is quickly approaching!  Edit faster!!  There's a lot of room for the careless errors that fuel negative stereotypes of news production, but a newsman with a good eye can make it work.  That pace, though frustrating at times, can be exhilarating.

It's also an interesting feeling to see through a news package from pre to post in a workday.  There's a great sense of satisfaction to have your work on the air at the end of the day, unlike in the straight doc or doc tv world where you've got at least a few months turnaround.  I've often had things air so far after shooting that I've almost completely forgotten what it was all about.

I'm not going to be turning down Discovery Channel any time soon.  I enjoy the scale of that work and the care put into the projects there and in other longer forms of documentary.  But, I'll definitely look forward to the news days and the refreshing change of scenery and pace... not to mention the 15 minute commute to and from the studio :)

Video As Art

Here's another video about a video I shot for Philip Dolin of Particle Productions.  Unlike the Bill Viola piece I posted a while back, the one is more about the artist, Hiraki Sawa's body of work.  It's a cool piece with a lot of clips of the actual work - very different, very out there stuff (definitely worth checking out).  Enjoy!

WATCH THE VIDEO HERE

Produced and directed by Philip Dolin
Lighting cameraman: me
Sound recordist: Bret Scheinfeld
Production company: Particle Productions

Art Upstate

Here's a link to a great art video I worked on with Philip Dolin of Particle Productions/Circle Terrific Media.  It's a short doc about Sherry & Joel Mallin and their amazing outdoor art collection on their expansive estate in Bedford, NY.

WATCH THE VIDEO HERE

On this piece, I shot b-cam for the sit-down interview and a bit of the walk and talk stuff.  Then, as the D.P. and producers continued with the subjects, I roamed the grounds and did beauty work - the landscape, full coverage on the art (details, wides, etc.).  It was a lot of fun to be able to just set off and shoot.

Produced, directed & edited by Philip Dolin & Molly Bernstein

Director of Photography:  Mead Hunt

B-Cam, 2nd Unit Photography:  Me

Location Sound:  Mark Mandler

Production Company:  Circle Terrific Media

**For the geeks, the A-cam was a Sony PDW700, and the B-cam was an EX1.